She has a fascination with the inescapable changes that happen in our internal lives and also externally in the natural environment. She uses beachcombing and collecting discarded objects as both a meditative activity and practical taxonomy of found relics. Through links between archeology and taxonomy she examines the intuitive/primitive use offound objects as contemporary worry beads, tools or talismans.

She produces a range of work from small delicate objects to large-scale sculptural pieces. At the core of her practice is experimentation with the limits and possibilities of materials such as porcelain, ink, felt, textiles and paper. She uses the analogy of weathering of objects to suggest the uncertainty and changes we all face as human beings. Recent research has led towards the edge of textiles, creating personal sculptural spaces in response to the tension between comfortable containment and restraint.

Currently she is creating a collection of tools using old objects exploring psychological change, combining different components to layer the past functions and specific applications to create a non linear narrative, to capture the intangible way in which we make decisions, inform changes and how our minds deal with uncertainty.