I specialise in contemporary artists’ books and paper sculptures. By using and combining various techniques such as printmaking, papercutting, paperfolding and bookbinding I want to inspire others to appreciate the alchemy of materials and the stories they tell, fostering a greater understanding of the significance of handcrafted art in our increasingly digital age.

As a keen sea kayaker and mountaineer, I get my inspiration from the textures, patterns, colours, tones and shapes in the great outdoors. My interest in architecture, design and construction also influence the way I approach a certain project. Each piece I create begins with a concept, which is sometimes triggered by a prompt or a brief, and an exploration of technique—whether it’s the rhythmic act of mixing up and rolling ink, the meticulous folding of paper or glueing and/or stitching of a book. Sketching the imagined final piece, taking precise measurements, selecting and playing with (leftover) materials, making protoypes, allowing yourself to make mistakes and learning from them and finally finetuning various ideas into something that’s pleasing and workable are all important steps in the whole process. This multi-focus allows me to appreciate the physicality of my materials, encouraging a hands-on approach that honours the labour intrinsic to these art forms. Every final piece of work serves as a vessel for my initial ideas, memories and experiences.