As a neurodivergent, Mad-identified [1], formerly homeless high school dropout, my work is a visual distillation of experiential knowledge gained whilst traversing the unique path of my life.

Through the rhythmic and tactile process of slow stitching, I use a needle and thread to create intricate and symbolic representations of my journey.

The metaphorical cells I embroider symbolise resilience and adaptability, a testament to the strength and tenacity I have cultivated to overcome life’s challenges.

Cells are potent reminders of our ability to develop resistance and emerge stronger. The cell’s protective membrane symbolises safety and stability, and its ability to cleanse itself through autophagy signifies the paramount importance of self-care.

Though not visually present in my current work, words are integral to my process. These hidden, silent verses are woven through everything I make—every stitch, a syllable, a word, uttered beneath my breath, a testament to the power of self-expression.

By allowing my thoughts to surface without judgement, slow stitching enables me to practise mindfulness and process past traumas in a gentle and non-threatening manner. My embroidery work’s intricate and delicate nature belies its true strength, symbolising the incredible resilience and inner strength within us all. 

A single thread is weak, but when that thread is woven around itself, when it is tied and pulled, knotted and twisted, it becomes nearly indestructible whilst maintaining an appearance of fragility.

Notes: 
1: Reville, D., 2013. Is Mad Studies Emerging as a New Field of Enquiry?. In: B.A. LeFrançois, R. Menzies & G. Reaume, eds. Mad Matters: A Critical Reader in Canadian Mad Studies. Toronto: Canadian Scholars’ Press., pp. 170-180.